論文代寫：畫作的宗教意義
《聖母與聖子》展現了一幅更為生動的畫面，不僅聖母為孩子的出生感到高興，其他幾個人，包括向孩子尋求祝福的外行人，也為孩子的出生感到高興。意大利文藝復興時期的著名畫家拉斐爾曾畫過著名的《聖母與聖子》。 Damiani等人(363-371)認為這幅畫是這位藝術家在美國唯一的祭壇作品。這幅畫也被稱為柱廊祭壇。這幅畫完成於1504年至1505年，被認為是拉斐爾最後一幅私人作品。大都會博物館在線音頻指南稱，這幅畫是大都會博物館的珍貴藏品，被認為是當時的傑作。可以證實的是，在畫中使用一些人的手和稍微抬起的孩子都可以看作是孩子對周圍人的祝福。和杜喬的畫相似，這幅畫的中心被聖母和孩子強調，但是從圖2中可以看出不同的視角是明顯的。
可以看出，這幅畫和其他同題材的畫一樣，具有宗教傾向。這些畫可以被分類，相似和不同之處可以根據注入其中的人格化和人情味的強烈程度來確定。在杜喬的《聖母》中，人文主義的許多元素是普遍存在的，仔細觀察這幅畫就能很容易地看出。麥當娜曾穿過一件柔軟的披風。這個褶皺垂到孩子的膝蓋上(聖母和孩子)。這些服裝都是用明亮的顏色和內層面紗也有精細的細節。這些細微的細節都是杜喬在沒有人注意到的時候處理的。這些都使得他的繪畫成為這個年齡段學生研究的一個重點，他的繪畫也成為年輕藝術學生討論的話題。在比恩、雅各布和格里斯沃爾德(35-45)的作品中，人類觸摸的使用突出了表情的多樣性，也向麥當娜在《孩子身上》(on the child)中塑造的陰影和保護圖標揮手致意。
論文代寫：畫作的宗教意義
Madonna and Child Enthroned with Saints presents a more vivid picture wherein it is not just Madonna who is delighted by the birth of the child but also several others including the layman who seek blessings from the Child. The Italian High Renaissance artist Raphael had painted the famous painting The Madonna and the Child Enthroned with Saints. Damiani et al. (363-371) argues that this painting is the only altarpiece of this artist that is present in the United States. This painting is also known as the Colonna Altarpiece. This painting was completed from 1504 to 1505 and is considered as the last of the Raphael’s work that landed in private hands. Met Audio Guide Online claims that this painting is a prized possession for the Met museum and has been considered a masterpiece of its time. It can be verified that the use of a number of people in the painting and a slightly raised hand of the Child can be considered to as the blessings of the child to the peoples surrounding him. Similar to Duccio’s painting the centre of the painting is accentuated by Madonna and the Child, yet the different perspective is evident as can be observed from Image 2.
It can be suggested that the painting has the religious inclination just like other paintings on the same subject.The paintings can be categorised and the similarities and dissimilarities can be identified on the basis of the intensity of personification and human touch that have been infused in them. In Duccio’s Madonna many touches of humanism are prevalent and can be easily observed on looking at the painting closely. There is tender drape that Madonna has worn. This drape goes down to the child’s lap (Enthroned Madonna and Child). The garments have been done with luminous colours and the inner layer of the veil also has fine detailing. These minute details were taken care of by Duccio at that time when nobody noticed them. These points only made his painting a point of research for the students of this age and his painting is a topic of discussion among young art students. It has been highlighted in the works of Bean, Jacob and Griswold (35-45) that the use of human touch highlights the variety of expressions and also waves towards the shadow and protective icon that is framed by Madonna on the child.