这项工作基本上是一个高塔，它有柱和格子一起举行。塔是目前集群在顶部与塔由金属梁举行。Emile Nouguier和Maurice Koechlin都曾在埃菲尔工程师，都实现了他们在桥梁施工中的知识支持建造铁塔时（Billington，1985；Harriss，1976）。对铁塔高度稍有不同的变异比他们所习惯，高度在300米左右，金属支架设计配置新的塔capablsione是支持这个高度。埃菲尔铁塔的设计是这样一种方式，它将有效抵抗风。这尤其是高层结构的问题，风的阻力可能导致结构损坏。另一方面，艾菲尔铁塔则是这样设计的，以确保风以一种切向的方式穿过结构。
The work is basically a tall tower, which has columns and lattices holding it together. A pylon work is present which clusters around the top and the pylons are held by girders made of metal. Emile Nouguier and Maurice Koechlin are the engineers who worked on the Eiffel, and both implemented the knowledge they had in the construction of bridge supports when building the Eiffel (Billington, 1985; Harriss,1976). The height of the Eiffel was a slightly different variant than what they were used to, the height was at around 300 meters and the newer design configuration of metal supports and the pylons capablsione was to support this height. The Eiffel is designed in such a way that it would be efficiently resistant against winds. This is especially a problem with tall structures where the wind resistance could lead to damage of structures. The Eiffel on the other hand was designed in such a way to ensure that the wind would pass through structure in a tangential way.
Crystal Palace: The Crystal palace is a modular structure created for the purpose of the great exhibition in the 1850s. This palace was to be a housing structure for products that were to be bought from all over the world. The Crystal palace is another perfect example of an industrialized design. The Building committee was given 248 planning proposals, out of which none were accepted in their entirety (Victoria and Albert Museum, 2015). The building committee decided to put together a number of the entries and then make another new plan. Joseph Paxton was the designed for the Crystal Palace. Most of the previous designs of Paxton were based on the Regia lily structure. Paxton provided the committee with the idea for the pre-fabricated building of iron and glass which would be useful to both support and at the same time provide an aesthetic touch to the galleria (Victoria and Albert Museum, 2015). Pre-fabricated parts were brought in from Birmingham, and cast iron skeletal frameworks were used. This was a time when the glass tax had also been eradicated and hence the technological innovation was able to make use of extensive glass framework. Nearly 30,000 sheets of glass were made use of for this construction. The glass sheets were produced in one site and then transported to the construction site (Victoria and Albert Museum, 2015).