酒店管理论文：幽默文化为何在日本如此流行
酒店管理论文：幽默文化为何在日本如此流行
日本人认为幽默是荒谬和不寻常的，这与世界上其他国家的人所接受的幽默完全相反。然而，在现实中，它并非完全不存在，笑声和智慧经常被观察到。不过，要理解日本人的幽默和喜剧，就不需要去理解日本人的脆弱的双关语。幽默在本质上可能是不一致的，因为每个国家都有自己的一套规则和逻辑。本论文的目的仅限于研究大阪瓦莱文化或幽默文化为何在日本如此流行。以Yosimoto创意公司为例，我们深入地了解了这种文化，以及它是如何随着时间演变的。喜剧或Owaria的繁荣在日本被认为是最近才出现的现象，除了通过社交画布来观看之外，还有很多其他的原因。要确定与那个国家的文化有关的任何改革的界限都是相当困难和模糊的，但是在曼扎伊文化蓬勃发展的时候，即80年代前后，存在的关于幽默发展的证据是相当重要的。然而现实是，幽默在二战前和二战后在日本的意义是可以被清楚地观察到的。
酒店管理论文：幽默文化为何在日本如此流行
笑声和智慧当时的价值比现在小得多，与现在相比，它在社会上显得冷漠。社会对幽默的限制，就像只有微笑作为一种社会实践，正在慢慢消失，今天的年轻人比以前更富有表现力，更无拘无束。今天的情景与幽默是完全不同的，幽默被积极地寻找，通过媒体传播，甚至被社会更好地接受。有一系列以喜剧为主题的电视节目，并且完全致力于它。红毯上的noKamisama和滑稽的monomane竞赛就是其中之一。著名的喜剧演员，如北野幸男、高岛津男和市区的曼仔乐队成为了主持人，并且在他们的工作中取得了成功。他们被认为是日本最顶尖的电视艺人，他们的技艺和智慧受到人们的尊敬。一年一度的“M-1大奖赛”是一项已经存在了15年的比赛，对于有抱负的专业喜剧演员来说，这是一项具有国家地位的重大赛事。现在的年轻人比以前更有兴趣成为职业喜剧演员(山中，第1-17页)。
酒店管理论文：幽默文化为何在日本如此流行
The Japanese consider humour as absurd and unusual which is quite contrary to how it is accepted in the rest of the world. However, in reality it is not totally absent and laughter and wit is frequently observed. Nevertheless it is not necessary to understand the fragile puns of the Japanese language so as to understand their humour and comedy. Humour may be inconsistent in nature with each country having its own set of rules and logic. The aim of this dissertation is limited to the study of why Osaka Warai or the Humour Culture has been so popular in Japan. The example of the Yosimoto Creative Agency has been taken to understand the culture in depth and how it has evolved over time.The boom of comedy or Owaria is considered as a recent phenomenon in Japan and there is a lot to it other than just viewing it through a social canvas. It is quite difficult and vague to establish the boundaries of any reform connected to the culture of that nation but the evidence that existed on the matter that humour had progressed by the time the Manzai boomed, i.e. in and around the 80s, is quite substantial. However the reality with it is that the significance of humour prior to the Second World War and after it in Japan can be distinctly observed.
酒店管理论文：幽默文化为何在日本如此流行
Laughter and wit was then valued much lesser and was socially aloof in comparison to what it is now. The societal restrictions of humour like only smiling as a social practice is slowly fading and the youth today are quite expressive and free with laughter than before.The scenario today is quite different with humour being actively sought after and spread through media and even being socially better accepted. There are a range of television programs that revolve around the theme of comedy and are completely dedicated to it. The Red Carpet Enta noKamisama and comic monomane contests are to name a few. Famous comedians like Takeshi Kitano Shinsuke, AkashiyaSanma and the manzai team Downtown have become the hosts and are successful in their work. They are considered to be the topmost television entertainers of the Japanese nation and are respected highly for their craft and wit. The annual conducted “M-1 Grand Prix” is a competition that has been in existence for the past 15 years and is a prominent event of national stature for the aspiring and professional comedy actors. Youngsters today are more than before interested in becoming professional comedians (Yamanaka, pp. 1-17).
