essay 代寫：卓別林與《城市之光》
essay 代寫：卓別林與《城市之光》
在電影工業的黃金時代，製作一部視覺效果驚人、背景音樂驚人的電影並非易事。然而，一些像查理·卓別林這樣的大師通過向觀眾展示一些神奇的東西創造了歷史。 《城市之光》(1931)就是這樣一部電影，它不僅證明了卓別林是一位偉大的電影導演，而且也表明了他的態度，即“不為改變而改變”。他拍了一部無聲電影，甚至連電影裡也引入了這種聲音。電影評論查爾斯·斯賓塞爵士或更知名的“查理·卓別林”是英國電影的喜劇演員、作曲家和導演。卓別林在無聲的時代獲得了卓越的成就，並因為他超凡的銀幕個性成為了全球的偶像。生於1889年的維多利亞時代，他在電影行業工作了近75年，並接受了爭議和讚揚(銀)。卓別林的童年是在極度貧困中度過的，因為他的父親不在身邊，母親的經濟狀況也很糟糕。這些困難迫使他很小的時候就開始尋找工作。弗雷德·卡諾公司(Fred Karno Company)簽下了卓別林把他帶到了美國，從此這位神秘的演員再也沒有回頭(西爾弗)。
essay 代寫：卓別林與《城市之光》
在他的文章《城市之光——五幕》中，安德魯·h·米勒在《五幕》中描述了卓別林的整個電影。他描述了這部電影從一開始就吸引了觀眾，從“場景一”開始，從演員口中傳來的混亂的聲音，它宣布，卓別林再次堅定了自己製作無聲電影的決心。作者解釋了城市燈光的拍攝風格的“第二幕”,他說,這部電影並沒有給予重視什麼是向上和向下,向左或向右的中心人物,但背後是什麼性格和前面的角色已經被極好地拍攝,重視(米勒)。文章的第三個場景解釋了盲人賣花女孩站在街上賣花的整個場景。 “流浪漢”與女孩的第一次見面被作者娓娓道來。他還說卓別林的表演給人留下了深刻的印象，比觀眾的期望要多得多。場景四描述了電影提供的假設。作者認為電影中的沉默是在聲音是一種選擇的時代的缺失。他也覺得在電影的這一部分，聲音是用來傳達人物真實感情的。最後，在第五場中，他覺得《城市之光》為觀眾帶來了真實的電影體驗，最後一幕被評論家們描述為卓別林(米勒)最令人難忘的鏡頭。
essay 代寫：卓別林與《城市之光》
Making a movie with amazing visual effects and astounding background music was not an easy task in golden era of film industry. However, some maestros like Charlie Chaplin had created history by presenting some marvelous stuff to the audience. One such film is “City Lights (1931)”, which not only proved that Chaplin was a great filmmaker but also showed his attitude for not ‘changing just for the sake of change’. He made silent movie even when the sound was introduced in the cinema. Movie ReviewSir Charles Spencer or better known as “Charlie Chaplin” was a comic actor, composer and Filmmaker of English cinema. Chaplin rose to eminence in the silent era and became an icon across the globe due to his charismatic screen personality. Born in the year 1889 in the Victorian era, the actor worked for almost 75 years in the film industry and took in both controversy and praise (Silver). Chaplin’s childhood was spent in extreme poverty because of the absence of his father and poor financial condition of his mother. These hardships forced him to look out for working at a very early age. Fred Karno Company signed Chaplin took him to USA, from where this enigmatic actor had never turned back (Silver).
essay 代寫：卓別林與《城市之光》
In his article “City Lights – Five Scenes”, Andrew H. Miller has described the entire Chaplin’s movie in “five scenes”. He described how the movie has captivated the audience since the beginning i.e. from the “scene one” and the jumbled voice coming from the mouths of the actors, it announced that Chaplin has once again stood by his determination of making silent movies. The author explained the filming style of City Lights in “scene two” where he mentioned that the movie didn’t give much importance to what is up and down and left or right of the central character, but what is behind the character and what is in front of the character has been excellently shot and had great importance (Miller). Scene three in the article explains the entire set up of the street where the blind flower girl was standing and selling her flowers. The first meeting of “The Tramp” with the girl was eloquently described by the author. He also said that the Tramp’s acting by Chaplin was quite impressive that offered much more than audience wish. Scene four described the assumptions the movie provided. The author felt that the silence in the movie is its lack in the times when sound was an option. He also felt that in this part of the movie, sound was required to convey the actual feelings of the characters. Finally, in the scene five, he felt that City Lights had given a true movie going experience to the audience with its final scene that was described later by the critics as the most memorable shot of Chaplin (Miller).
