essay代写-合唱音乐《战争安魂曲》

essay代写-合唱音乐《战争安魂曲》。《战争安魂曲》并不是一首支持英国的音乐,也不是歌颂英国士兵的音乐,而是布里顿对反战信念的公开陈述。委员会为布里顿提供了一个创作大型合唱作品的机会,这部作品表达了布里顿在战争背景下的大部分激情,以及宗教为促进战争所发挥的组织作用。F与C之间的一个triton所对应的时间间隔可以看作是递归中的一个motif,它最终统一了整个工作的发生。在强调F和C之间的调和距离以及用和声来解决它们之间的调和距离时,这个音程都是有用的。这往往反映了整部作品呈现的和解与冲突的主题。论文范文essay代写-合唱音乐《战争安魂曲》分享给留学生阅读。

The music piece of War Requiem was not supposed to be a piece of pro- Britain or for glorifying the soldiers of Britain, but as publicly stating the anti- war convictions of Britten. Britten was offered the opportunity by the commission for producing a large- scale piece of choral work that provide an expression for majority of his passions in context with war and regarding the organized role of religion in order to promote war. The interval related to a triton between F and C can be considered as a motif in recurrence, which ends up unifying the whole work on occurrence. There is a use of this interval both in laying emphasis on the harmonic distance between F and C and the ones for resolving them in terms of harmony. This tends to mirror the theme of reconciliation and conflict being presented all across the work.

The aim of this essay is to conduct an analysis for a short piece of choral music, while discussing about the composer and providing detail about the significant background information related to the work. Further ahead, this essay will focus on providing maximum useful rehearsal information, while discussing about the significant issues in rehearsal and the overall technical challenges faced. The choral music piece selected for the purpose of this essay is War Requiem that was written in re-consecrating the Coventry Cathedral and its performance first took place on 30th May in the year 1962 (Colman, 2003). There had been a commissioning of Britten for writing a piece to mark the ceremony for completing the construction of new cathedral, as the previous Coventry Cathedral had been destructed during the Second World War under the Battle of Britain. Further analysis will focus on this piece of choral music.
Rehearsal Information
On the other hand, in the ending part of the Agnus Dei, the tenor appears to be outlining C to G with perfection before it moves down to F for resolving the final chord of chorus. By the ending of the part Dies irae, “at all” along with the notes end up in the formation of triton while leading towards the formal resolution of choir. In the final setting of Owen, triton with the most significant and prominent expressions are sung by the tenor in order to address a soldier in opposition with the tone of “Strange friend”. There is accompanying of the poem by chords of sporadic detachment from a viola and two violins. This was inclusive of the triton in context with domination of 7th chord.

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