代写网站：视觉文化作品

代写网站：视觉文化作品

本文的目的是探讨视觉文化作品的代表性和凝视问题。本次分析的视觉文化作品是辛迪·谢尔曼的摄影系列，即“无题电影剧照”。该系列包括辛迪的照片，从日常生活的刻板印象到电影、绘画和文学。这些照片不是她的肖像，相反，它们的目的是反映意识形态、消费主义和文化。

代写网站：视觉文化作品

随着某些集中概念如恋物癖、窥阴癖和窥视癖的重新出现，凝视可以被认为是一种缺失的元素，它构成了从观察意识(Butler, 2011)而导致的阉割的焦虑。心理上的影响是强加的，主体在实现的过程中失去了自主性，这是一个可见的对象。这一特殊的概念与对镜像阶段的理论认识有着密切的关系。

代写网站：视觉文化作品

The aim of this essay is to explore issues of representation and gaze with respect to a visual cultural piece. The visual cultural piece selected for this analysis is the photographic series by Cindy Sherman, namely, “Untitled Film Stills”. The series consist of photographs of Cindy that range from the stereotypical views of daily lives to cinema, painting and literature. These photos are not her portraits, which instead they serve the purpose of reflecting upon ideology, consumerism and culture.

代写网站：视觉文化作品
With the recast of certain centralized concepts like Fetishism, Voyeurism and Scopophilia, gaze can be considered as the absent element constituting anxiety of castration that result from viewing the awareness (Butler, 2011). The psychological impact is imposed that the subject ends up losing autonomy on the realization which they are a visible object. This particular concept is strongly related to the theoretical understanding about the mirror stage.